Okadas death completely fits into Satos version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by[展开全部]
Okadas death completely fits into Satos version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.[收起部分]
